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Excerpts from the Staggering Stories Blog:

Staggering Stories Commentary #198: Babylon 5 – Day of the Dead
by Staggering Stories Podcast
Sun, 20 Aug 2017 09:00

Summary: Adam J Purcell, Andy Simpkins and Keith Dunn sit down, visited, in front of the Neil Gaiman’s Season 5 Babylon 5 episode ‘Day of the Dead’, and spout our usual nonsense! Zooty has a terrible secret, Lennier has a shadowy visitor, Lochley is trying to establish an identity for herself and Kosh has another […]

Staggering Stories Podcast #269: Jago, Litefoot and AsBill
by Staggering Stories Podcast
Sun, 13 Aug 2017 09:00

Summary: Adam J Purcell, Andy Simpkins, Fake Crumbly, Fake Keith, Jean Riddler and the Real Keith Dunn have a retrospective on Doctor Who ‘Series 10’, discuss Big Finish’s ‘Jago and Litefoot, Series 4’ audio boxset, play a game, find some general news, and a variety of other stuff, specifically: 00:00 – Intro and theme tune. […]

Staggering Stories Commentary #197: Doctor Who – Knock Knock
by Staggering Stories Podcast
Sun, 06 Aug 2017 09:58

Summary: Adam J Purcell, Andy Simpkins and Keith Dunn sit down, bugged, in front of the 2017 Doctor Who S10 episode, ‘Knock Knock’, and spout our usual nonsense! Bill has herself some new digs, the Doctor is suddenly a man with a van and the landlord has a wood infestation. But enough of their problems, […]

Staggering Stories Podcast #268: Whittaker and Watling
by Staggering Stories Podcast
Sun, 30 Jul 2017 09:00

Summary: Adam J Purcell, Andy Simpkins, Fake Crumbly, Fake Keith, Jean Riddler, the Real Keith Dunn and Scott Fuller discuss the casting of Jodie Whittaker as the Thirteenth Doctor, remember Deborah Watling, find some general news, and a variety of other stuff, specifically: 00:00 – Intro and theme tune. 01:37 — Welcome! 02:07 – News: […]

Staggering Stories Commentary #196: Babylon 5 – Rising Star
by Staggering Stories Podcast
Sun, 23 Jul 2017 09:00

Summary: Adam J Purcell, Andy Simpkins and Keith Dunn sit down, allied, in front of the Season 4 Babylon 5 penultimate episode Rising Star, and spout our usual nonsense! Sheridan has a new job offer, Garibaldi has an impromptu rescue to mount, Ivanova jumps ship and everyone is generally very busy. But enough of their […]

Staggering Stories Podcast #267: The Doctor has a Fall
by Staggering Stories Podcast
Sun, 16 Jul 2017 09:23

Summary: Adam J Purcell, Andy Simpkins, Fake Keith, Jean Riddler, the Real Keith Dunn and Scott Fuller review the 2017 Doctor Who episodes ‘World Enough and Time’ and ‘The Doctor Falls’, take look back at Big Finish’s ‘Doctor Who: Spare Parts’ audio play, find some general news, and a variety of other stuff, specifically: 00:00 […]

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Adam J Purcell Ponders… Hallucinations

Published: 26th April 2004

It's a fascinating thing, the human mind. We know of nothing else in the universe that tries to understand itself. In that respect it may truly be unique. The most remarkable aspect, however, is just how little we do understand our minds at the moment.

Throughout history we have tried to explain that which we didn't understand. It is only in relatively recent times that we have developed science and through reason, experimentation and peer review have begun to really explain the world around us. No longer do we believe the sun and moon to be gods fighting each other daily across the heavens. Fire is no longer a supernatural force, nor volcanoes, hurricanes, etc.

I sometimes wonder, as I'm sure everyone does, how much fun it would be to grab a caveman from ancient times and show him around the world in which we live (assuming there were no basic language barriers!) What would he think of television, mobile phones and planes? Introducing a primitive to modern technology is hardly a new concept but it is a useful one if we are to better understand ourselves. We are those cave dwellers, the same in all but environment. Would our ancestors fear our technology? When handed a mobile phone would they think they are talking with spirits? Probably. How could they be convinced otherwise? We could rationally explain the technology but it would be fairly meaningless to them. The only way I can think to quickly prove that no 'magic' is involved would be for them to meet the person on the other end of the phone - have them in the same room as they used the phones to talk to one another. Even that may not do it. It may convince them there is no undead on the other end but it would still look like magic.

Humanity, for the most part anyway, needs to believe in something greater than itself. Historically this has inevitably led to people simply explaining any natural but inexplicable pattern or occurrence as the work of a supernatural force. That legacy pervades even today. What interests me most about this is how seemingly rational people can fall into the trap of explaining that which they don't understand as somehow supernatural. Not wishing to cover old ground (as in my earlier pondering: Reality) I instead want to consider how and why the human mind/brain gets into the state where a supernatural explanation seems so valid.

Everything you see, hear, feel, smell and taste is an illusion. I don't mean in a Matrix sort of way (though, of course, that can't really be ruled out). Perhaps it would be better to say that everything you experience is an hallucination. Yes, I'm quite serious. Try this: stare at these words - keep your eyes fixed on one part of the screen and, trying not to move your pupils, become conscious of your peripheral vision. Go on - try it now. Well, what did you see? Not much, I'd wager. Was you peripheral vision blurred and indistinct, lacking detail? Yes? Then you're human. Vision is our primary sense, yet it is clearly very poor except (crucially) for a tiny portion in the centre of the retina. Normally we don't notice this, the visual systems of our brain fill in the details for us. As many of you are probably aware it does this by directing our eyes to quickly dart about, surveying the scene before us and updating the parts of the picture. These saccades are so quick that you barely notice it in someone else's eyes (though you will notice when they are not there, i.e. when they are staring) and your brain masks your own saccades completely most of the time. If you are still in doubt that 'what you see' is not what your eye sees lets try another quick experiment. Our eyes have blind spots. One per eye, a hole in our retinas where the optic nerve enters the back of the eye. This is easy to prove:

Look at the picture below. With both eyes trained on it you will see both the cross and the circle. But what happens if you close your left eye, stare at the cross with your open right eye and slowly move your face towards and then back away from the screen?

Blind Spot Demostration

At some point your eye should have been at the correct distance for the red circle to literally disappear as it fell within your blind spot. Interestingly, when it does disappear it isn't replaced with a void but, in this case, by the white of the area surrounding your blind spot. Just to prove the brain doesn't always just fill in with white try an inverse colour version:

Blind Spot Demostration, Inverse Colours

That's the first step to proving that what your eye sees is not what you see.

Pattern Matching. I'm sure you've looked up into the sky at the clouds, or perhaps the stars, and have seen patterns that resemble objects or animals. Usually the matches are pretty poor so we have to work quite hard to find such matches but the fact that we can is extremely impressive. It is hard to appreciate just how difficult pattern matching is unless you've sat down and attempted to write a computer program to mimic the same behaviour. It sounds easy because it comes so naturally for us but in reality it is so difficult that the worlds best computer scientists still have yet to get even close to equal the human brain on this. Even the vastly simpler task of recognising just faces (by comparing relative sizes and positions of eyes, nose, mouth, cheekbones, chin, forehead, etc.) has yet to produce a system that even the American Department of Homeland Security will take (they did recently trial a system and found the error rates too high...) To quantify that a bit, a different trial in Boston's Logan Airport, in which the cameras were given photos of employees to detect, was only successful in 153 out of 249 random tests over a year. Even worse, a system setup for the Florida Police in Tampa, that was designed to scan the city's entertainment district for wanted criminals, yielded no positive identifications and no arrests after two years of operation.

Stepping back from the specific case of faces for a moment, here's a fairly well known 'optical illusion' (optics aren't really directly involved in the illusion, it's down to the pattern matching of the brain).

Can you tell what it is yet?

101 Spots

Here's two of the same picture, only rotated 90 degrees:

The Frog and Horse (not a pub!)

Back to faces and it turns out that things are even more complicated. There is actually special processing for human faces, as demonstrated by the following examples:

The Girl with 4 Eyes (and two mouths) A Can of Spam

As you can no doubt sense, the girl causes much more trouble for the image processing centres of your brain than the can of spam.

There is also special processing for script, i.e. words. This is best demonstrated by comparing a written language you can read with one you can't:

Original English Text Original Shadow Text
Spot the differences (switched around to give more of a challenge!):
Altered Shadow Text Altered English Text

Assuming that you can't read Shadow Script (if you can: Hello Mr. Morden, beware of pointy poles...) then you probably actually found you were comparing the two English texts in a different way to the Shadow script. Did you find yourself reading the two English texts rather than comparing character by character? It should be obvious, even from the partitioned part of our minds where consciousness resides (simplistically speaking, it isn't really centralised at all but that's another Pondering all-together..!) that the processing is very different. Your mind automatically picks out the words and assigns meaning to them in a way it doesn't for the Shadow Script. From a purely optical stand-point there is really no significant difference between the English and Shadow - both are a set of discrete black on white shapes. The difference is entirely in your mind. It should also be noted that proof-reading is actually a very tricky business. Why is that? We read what we think it says, not necessarily what it does say. You can even strt mssng vowls out nd it is stll redable. That's rather more than simple patten matching going on there. As an aside verbal language is much the same - you can easily break down your native language into words but unknown languages sound like little more than a stream of gibberish (perhaps with the occasional familiar word standing out, such as international brand names)

Even colour is translated, as any photographer can tell you - florescent lighting gives everything in a room a significant green cast but our brains compensate for that so that we rarely consciously see it. The colours going into our eyes are exactly as they are in real life but somewhere during processing our brains actually discard that original, correct, colour information and replace it with what it thinks it should be:

Chess by Colours

In the above example the chess squares containing the letters A and B have the exact same background colour! It's very hard to believe - even I didn't quite trust it at first - but it is true. If you know how to use a paint program I suggest you check the colours for yourself, it's the only way you'll really believe it!

The real clincher that we don't see things as they really are is the way the brain categorises and (if there is such a word outside a Dubya dictionary) objectifies. How many times have you looked around your home for an object only to find it was literally staring you in the face? In your search your eyes would have looked upon the object, possibly several times, and yet you didn't notice it. Your eyes certainly saw it (I don't think anyone really believes things become temporarily invisible) but yet you didn't notice it, i.e. it was somehow lost during the visual processing stages. The light reflected off the item did hit the back of your eyes but, for whatever reason, your brain failed to process it into your mental model of the world - it failed to be an object in your mind, instead it was just part of the anonymous scenery.

So when you think you are seeing a simple camera-like snapshot you are not. In reality the rather low resolution image that your eyes gather is actually translated into a 3d virtual representation of the world in your mind. That is what you see - the virtual mock-up of the world that depending on the conditions, your mental/physical state and the objects before you (and your familiarity with them), will vary greatly in terms of accuracy.

Drawing, painting and even photography is affected by the interpreted nature of human perception. It is all too easy to take what you think is a fantastic photo only to see in the printed result a telephone pole apparently growing out of your subject's head - it was there when you took the photo, you just didn't notice it. Drawing is obviously a lot more difficult than photography for most people. Hand eye coordination is a factor but not as much of one as you might think - there are many people who are, for example, fantastic at tennis but cannot draw even a simple object. Why? It is back to the internal virtual reality we generate in our heads. Somehow that 3d image must be mentally collapsed into a 2d canvas of the world before you can apply any artist techniques to the result.

This all leads to the main question of: what is an hallucination? I think most people will agree with the abstract case that people can have hallucinations and that such hallucinations are a product of the mind (i.e. they have no basis in reality). Now that science has begun to uncover the way the mind works we can easily see that such hallucinations must be the erroneous creation of an object in the person's mental model of the world.

It is well documented that some types of drugs can cause hallucinations and other sensory processing errors. Neurosurgeons routinely probe their patients brains to assess what effect surgery might have and prompt the conscious patient to experience long 'forgotten' memories and various sensory hallucinations. Because of the distributed nature of the brain and the pinpoint nature of the probing those experiences tend to be simple sensations such as the feeling someone is touching their arm or an odd sense that some predator is watching them.

Complex visual hallucinations do happen, however. Night appears to be the time most associated with hallucinations or, at the very least, spectres and strange noises. It is all to do with signal to noise ratio. During the day we are bombarded with stimuli, particularly visual and auditory. At night these stimuli are greatly reduced - lack of light and the quiet as the world around you sleeps. Starved of sensory input your brain turns up its 'gain', it makes itself more sensitive to the reduced input. Unfortunately this means errors are more likely. The inherent 'noise' of your sensory processing is heightened and you are significantly more likely to mistake an input for something it isn't. This can be made even worse if we put ourselves into a state of high alert, i.e. fear, and turn up that gain even more. This is why ghost stories are so much more effective on a quiet spooky night than a bright noisy day. The eerie shadows given off by our artificial lights at the dead of night - shadows that simply are not there during the day. The flickering of a candle or open fire that subtly shifts any shadows makes for an even better way to trick our overworked sensory processors.

As you might expect it is even more complex than that. The brain is a lazy organ, understandably so given how much work it must do and how much energy it consumes. Your mental model of the world isn't limited to objects of an inanimate nature. From birth you are observing the world and building up not only a sensory image of objects (i.e. their 3d and acoustic representations, plus how they feel, taste, etc.) but also their behaviours. It turns out that the brain takes shortcuts with sensory processing. Once it has added an object to the mental model is doesn't continually add and delete every time your eye picks it up, that would be wasteful, it actually just saves itself the processing and assumes things. Only if a change is detected does the model get updated. It goes further than that. Based on your knowledge of that type of object and the current circumstances your brain will actually expect behaviour to happen. Apparently the brain effectively polls the real world by asking questions. For example, if you were watching your toaster your brain will keep asking the sensory processors 'has the toast popped up?', over and over. All the time we are making these assumptions as to what will happen, biased highly by what is on our mind at the time. That is what surprise is - reality doesn't stack up with our mental model and we must update that model and possibly add new behaviours. Surprise is our brains getting out of lazy mode and performing a proper refresh of the area of the mental model affected. This is all why people imagine things when they are spooked, they are expecting something and asking heavily signal noise affected sensory processors 'did I hear footsteps?' Have you ever got yourself in such a spooked state where you are almost expecting something scary to happen? In that situation have you found yourself hearing what sounds like indistinct whispers, part of your mind sure they are in your imagination but still not totally convinced they aren't real? Get yourself into the mood one night and try it - it's good fun seeing how far you can take it! Also notice how you try to snap out of that spooked mood - all the lights on, full investigation of the area, perhaps putting on the TV or radio? All things to up the signal to noise ratio and flush any nasties from your mental model.

It is reported that most visual hallucinations are ghostly grey figures in the peripheral vision that when you turn to look aren't there. Sometimes these figures will seem to anticipate your head movement, careful to always stay just out of plain sight. This phenomenon probably accounts for much of the ghost and grey alien sightings (the short aliens in particular also prone to appear in your peripheral vision around your bed when you partially wake during the phase of slumber that your body experiences sleep paralysis (hypnogogic paralysis) but that is also a subject or another time!) Peripheral vision is, of course, the key here. Low resolution and monochrome in nature the peripheral vision is much more likely to play host to hallucinations, there are simply fewer sensors there to weed out excess noise in the signals along the optic nerve and beyond. As for why a figure, that's down to expectations again - our fears at work. Not all ghostly sightings are quite so indistinct, however. Probably the next most common hallucination is seeing a fully or partially formed person straight on. Of these by far the most common type of figure in these instances is someone that the observer knows, particularly if the observer is grief stricken over their loss. I'm sure you can by now see where this is going. The observer has a real need to see their loved one and are clearly under a great deal of mental anguish, always thinking of the person they have lost. Given the right conditions in the brain it is easy to see how an mental object of the departed might be incorporated into the observers mental model, even perhaps going so far as to be able to interact with them. Now hold on, I hear you cry, that's quite a leap from signal noise generated ghostly peripheral vision figures and spooky noises. Yes, it is. This is a full on hallucination. Some might say it is much more reasonable, for such an extreme case, to simply assign a real life ghost. I hope I have already suggested enough to push the balance of probabilities firmly toward the faulty mental model of the observer. I will go further still and suggest that we all have such hallucinations every single day...

I am, of course, talking about dreams. Why should there be a special module in our brains to generate dreams? What would be the point of that? Little to none, I would suggest. I am cursed with rarely being able to remember my dreams but every now and then I am lucky enough to have a very vivid dream, though I'm not sure I've ever had a truly lucid one. Obviously we are back to the mental model of the world. Only this world doesn't have sensory inputs correcting the model as required. Instead it is governed by the slightly chaotic ramblings of an unfocused mind. Ever think back to a dream and wonder why something totally bizarre didn't seem odd at the time? That's because, for whatever reason, your brain was expecting that very same thing to happen - so it did. Given there is so little sensory input there is only really noise, noise that the brain is free to interpret in whatever way it sees fit. You are driving down a road with one other person, Willow. Are you there yet? Yes. Have I gotten out of the boat yet? Yes. Is Velma still with me? Yes. Nonsensical and very dream like - the change of transport and companion seems totally natural until you think back on it when you are later awake. There may be a purpose to dreams, they often contain elements of the previous days events, and maybe related to laying down long term memories. One thing that is clear, however, is that dreams are not special or unusual. They are not using a special mental theatre, they are merely our normal mental model unfettered by sensory input (excepting when real world sounds, for example, may be integrated into that model) and that always says 'yes' to our polling questions - for there are no inputs to generate a 'no'. They are, in effect, hallucinations. But then - what isn't?


This has deliberately been a whistle stop, gloss over much of the details, look into the human mind. Despite my ramblings it really is a fascinating subject and one I think everyone should have some grasp of. At last, after more than two and half thousand years of documented philosophy, we are finally beginning to understand how the human mind/brain works. And it is far more complicated and interesting than simply writing it all off as a supernatural soul. I highly recommend Daniel C. Dennett's Consciousness Explained (ISBN 0316180661) as a gentle introduction to the subject.