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Excerpts from the Staggering Stories Blog:


Staggering Stories Commentary #211: Doctor Who – World Enough and Time
by Staggering Stories Podcast
Sun, 18 Feb 2018 09:00

Summary: Adam J Purcell, Andy Simpkins and Keith Dunn sit down, pained, in front of the 2017 Doctor Who S10 episode, ‘World Enough and Time’, and spout our usual nonsense! Bill’s innards are feeling a bit of a draft, Razor is channeling Zathras and the Doctor is taking years to do anything. But enough of […]


Staggering Stories Podcast #282: Lighting Up Leicester
by Staggering Stories Podcast
Sun, 11 Feb 2018 09:00

Summary: Adam J Purcell, Andy Simpkins, Fake Keith, the Real Keith Dunn and Scott Fuller review the 2013 Big Finish Doctor Who 50th anniversary story ‘The Light at the End’, discuss their visit to the Doctor Who convention ‘Science of the Time Lords’, find some general news, and a variety of other stuff, specifically: 00:00 […]


Staggering Stories Commentary #210: Babylon 5 – The Wheel of Fire
by Staggering Stories Podcast
Sun, 04 Feb 2018 09:00

Summary: Adam J Purcell, Andy Simpkins and Keith Dunn sit down, bargaining, in front of the Season 5 Babylon 5 episode ‘The Wheel of Fire’, and spout our usual nonsense! G’Kar has become a cult, Delenn has a parasite and Lochley finally does something. But enough of their problems, please sit down with us to […]


Staggering Stories Podcast #281: Ruler of Swindon (or maybe Sweden?)
by Staggering Stories Podcast
Sun, 28 Jan 2018 09:00

Summary: Adam J Purcell, Andy Simpkins, Fake Keith and the Real Keith Dunn discuss our Top Ten 2017 Films, review the 2017 Big Finish Doctor Who boxset ‘The New Adventures of Bernice Summerfield, Vol. 4 – Ruler of the Universe’, find some general news, and a variety of other stuff, specifically: 00:00 – Intro and […]


Staggering Stories Commentary #209: Doctor Who – The Eaters of Light
by Staggering Stories Podcast
Sun, 21 Jan 2018 10:55

Summary: Adam J Purcell, Andy Simpkins and Keith Dunn sit down, consuming, in front of the 2017 Doctor Who S10 episode, ‘The Eaters of Light’, and spout our usual nonsense! Bill has fallen down a hole (again), Nardole is getting inked up and Kar is fending off a demon. But enough of their problems, please […]


Staggering Stories Podcast #280: Welcome to the Annual Predictability
by Staggering Stories Podcast
Sun, 14 Jan 2018 09:00

Summary: Adam J Purcell, Fake Keith, Jean Riddler, the Real Keith Dunn and Scott Fuller discuss Capaldi’s best Doctor Who bits, review the film Jumanji: Welcome to the Jungle, come up with our Predictions, Hopes and Dreams, and Fears for 2018, see how wrong we were about our Predictions for 2017, find some general news, […]

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Odd Event Reviews... The Woman In Black

A review written from beneath a duvet with every light in the house blazing.
By Karen Dunn


The Woman in Black

I GOT to know a complete stranger very well during the second act of The Woman In Black at the Fortune Theatre, Covent Garden.

No, we didn’t pass the time chatting while people in the surrounding rows ‘shushed’ us in impatient tones before reporting us to the usher and having us thrown out.

We did, though, almost leap into each other’s arms on more than one occasion and smiled sheepishly at one another when the play finished. And all this with Keith sitting on one side and her daughter sitting on the other.

I shall explain.

The Woman In Black is the most ridiculously scary play I have ever seen. More scary than Alison Hannigan’s performance in When Harry Met Sally. More terrifying than William Shatner’s solo readings of Henry IV, V and VI (with props), and more frightening than those musical episodes of DS9 that proved once and for all that Paramount had lost the plot.

The first act is a little slow, but then it is mainly scene-setting, and I don’t think my heart could have taken an entire 2 hours of terror. (As Son Number 2 has pointed out ‘you’re nearly 40 now, mum, and that’s really, really old’. Bastard!)

There are only two names on the cast list - Michael Burrell as Arthur Kipps and Dominic Marsh as The Actor - and both are outstanding, especially Burrell, whose range of characters during the performance was huge.

There is a third member of the cast, though her name doesn’t appear in the programme and she doesn’t take a bow at the end. And that’s part of what makes the play so gripping.

It is actually set in the Fortune Theatre and the actors play to one another and an imaginary audience. Within the confines of the theatre, they imagine themselves to be in a London office, a northern village and a tiny island cut off from the main land except for a causeway, which makes itself known at low tide.

The set is simple and dark, the props few and used for many and varied a purpose. And the use of light and sound is amazing.

For those who haven’t read the book or seen the film, this is a ghost story with a particularly nasty ghost - whenever she is seen, a child dies.

Solicitor Arthur Kipps is sent to close the estate of an elderly client who has recently died. She lived alone in a sprawling house on the island and only ever had two visitors - Keckwick, the local pony and trap man, and the Woman In Black.

Arthur’s time at the house plays on our fears of the unknown and things half seen from the corner of the eye and is so much more effective than the blood and gore that makes up so many run-of-the-mill horrors.

The audience was a mass of tense anticipation, the slightest pause in the dialogue bringing frightened whispers. And when the Woman did make herself known, either in fleeting glimpses or full howling fury, the poor souls at the front were all but trying to climb through their seats into the row behind.

Not a show for those of a nervous disposition or weak bladder, but definitely worth a look. Hurry, though, the run ends in September, having been going since 1989.


For those interested in seeing the play at the Fortune Theatre in London, cheapthreatretickets.com may be worth a visit.